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Friday, May 05 2017 | 03:52
Image: 1609961 Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid- ‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ follows up last year’s acclaimed ‘Soul Sok Séga’ release on Strut.

Tracklisting:
1. Caméléon – La Rosée Si Feuilles Songes
2. Michou – Maloya Ton Tisane
3. Jean Claude Viadère – Moin La Pas Fait Tout Sel
4. Daniel Sandié – Défoule 3E Age
5. Cormoran Group – P’Tit Femme Mon Gâté
6. Marie Hélen Et Ses Créol’S – Séga Le Sport
7. Françoise Guimbert – Tantine Zaza
8. Vivi - Toé Même Maloya
9. Pierrot Vidot – Commandeur
10. Hervé Imare– Mele-Mele Pas Toué P’Tit Pierre
11. Groupe Dago – Réveil Créole
12. Ti Fock – Sé Pi Bodié
13. Gaby Et Les Soul Men – C’Est Le Même Cadence
14. Vivi – Mi Bord’ A Toé
15. Maxime Lahope - Sous Pied D’Camélias
16. Gilberte - Serre Serre Pas
17. Gaby Et Les Soul Men – Oh Maloya
18. Hervé Imare – Mi Donne A Toué Grand Coeur
19. Carrousel – Oté Maloya

Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ follows up last year’s acclaimed ‘Soul Sok Séga’ release on Strut.
Traditional maloya, originally called “séga”, described the songs, music and dances of slaves on the sugar plantations of Réunion Island in the 17th Century – maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play maloya songs. By the ‘50s, maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music.
In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language, many were self-taught and learned their craft in 1960s dance band “orchestres”. André Chan-Kam-Shu’s Studio Royal in the south of the island became the main hub for experimentation and collaboration. Most notably, the band Caméléon honed their sound here – with maloya legends Alain Peters and vocalist Hervé Imare involved, Caméléon became the leading collective on the scene, using poetic lyrics and creating their own potent fusion of maloya, jazz and psychedelia.
‘Oté Maloya’ tells the story of this fertile period in Réunion Island music for the first time and features the full spectrum of maloya styles. From Caméléon’s genius to the teenage Michou’s classic ‘Maloya Ton Tisane’, Daniel Sandié’s breakbeat sleeper ‘Défoule 3e Age’ and more traditional styles from Maxime Lahope and Pierrot Vidot, this is an essential trip through a lost era of Indian Ocean blues and soul.
‘Oté Maloya’ is released with an extensive booklet on CD and LP featuring a history of maloya by Nathalie Valentine Legros of 7 Lames Lamer. All tracks are fully remastered by The Carvery.

KEY POINTS:
- 12” INSERT BOOKLET 12pp
- First ever international compilation of 1970s maloya scene on Réunion Island
- includes extensive sleeve notes tracing the history of the culture across four centuries
- DJ support from Gilles Peterson, Lauren Laverne, Mr Scruff and more
- Essential follow up to Strut compilation ‘Soul Sok Séga’

FOR FANS OF:
Alain Peters, Caméléon, séga music, Gilles Peterson, French yéyé music, Francoise Hardy, Claudio, Marie Josée & Roger Clency, Jean-Claude, Georgie Joe, John Kenneth Nelson, East African music, Ethiopiques, taraab music

www.strut-records.com Available from 30.06.2017
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