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Wednesday, Mar 22 2017 | 10:54
Image: 1608992 FUNCTION UNDERGROUND - The Black and Brown American Rock Sound 1969-1974

14 tracks by Jimi Macon, Black Maffia, Blacklites and more, many reissued for the first time. Includes a 16 page booklet with extensive notes on an overlooked and important portion of rock n’ roll’s history & a Download card to WAV files of the full album.

Nearly everyone in the world can rattle off the great African-American musical forms. Jazz, blues, R&B, soul, hip-hop, house, gospel. One influential genre is always left off of the
list: a folk music known as rock n’ roll. Rock n’ roll was a term originally coined to market the white-friendly version of a genre that already existed, prior to 1965, the line between
rock n’ roll and R&B was thin: Ike Turner recorded and released “Rocket ‘88’ ” in 1951 and, while its Chess Records release reached number one on the Billboard R&B chart, it is
regarded by many as the first rock n’ roll record.
The Great Divide between R&B and rock n’ roll came after the Beatles and the British Invasion decimated the Top 40 chart in 1964. Simultaneously, R&B entered a new phase, soon
to be labeled “soul,” which upped the music’s gospel quotient and turned its frantic twang. So somewhere in the mid to late-1960s, rock n’ roll became perceived as something for
the Caucasian kids. When Jimi Hendrix and Arthur Lee made the scene, they were said to be black musicians entering into a white world. While that couldn’t be farther from the truth,
that false dichotomy has existed in America’s popular conscious ever since, to the point where the idea of a black rock musician is on the level with the idea of a black cowboy.
In the mid-1960s, funk replaced soul as the rhythm that was going to move the world. We know all its progenitor - James Brown, The Meters, Kool & The Gang - and their
innovations: the syncopated, 4/4 dance between the bass and drums, horns repurposed as percussion, chicken-scratch and wah-wah guitar. We can trace where they came from.
But there is one crucial funk influence that no one seems to want to acknowledge – a devil-may-care attitude we can attribute to rock n’ roll. It’s not a stretch to say that funk is the
African-American answer to psychedelia and hard rock rolled into one.
The idea of “progressivism” that took over rock music after psychedelia’s heyday in the late 1960s belatedly spilled over to funk. In the early 1970s, as the underground/psychedelic
fire burnt out in the white rock world, it roared to a blaze in the black musical community. Nearly every American city with a large black population boasted self-contained funk bands
that didn’t consider themselves simply revues or backup groups, but rather fully-operational ensembles In these bands, everything from composing, arranging, record production
and distribution, was handled in house by band members. These are the bands whose music comprises this anthology, and while they’re all different, they’re unique in one way: they
kept their ears open for new developments in funk and rock music.
This anthology presents earnest questions as to why we know so little about these bands and the movement of which they were a part. While we don’t anticipate that we’ll ever find
a definitive answer as to what these ensembles’ true goals were, then, we do know that they took their charges seriously. And they knew they were onto something different,
something that, though only they and their immediate kin might recognize it, was more interesting than the status quo. Function Underground shines light on an important and
overlooked part of rock n’ roll’s history and talented ensembles that toiled in the shadows, derided by their peers
‘Do you realize that Hendrix was dead before most black people in America knew he was a black man?” Ebony Rhythm Band drummer Matthew Watson questions rhetorically. “We
was scorned. In that era, everybody else in the black community was wearing three-piece suits, processes and Afro wigs and that shit. We was the first guys to wear bell bottoms.
The first guys to wear big hats. We were off into a whole other thing.”

A1. 1984 - There's A Wrinkle In Our Time
A2. Purple Snow - Down By The River
A3. Jimi Macon - Jimi's Guitar Raps With The Bass
A4. Creations Unltd - Corruption Is The Thing
A5. We The People - Function Underground
A6. Michael Liggins And The Super Souls - Loaded Back
A7. Stone Coal White - Stone Coal White
B1. Blacklites - BL Movement
B2. Ebony Rhythm Band - Drugs Ain't Cool
B3. Cisneros and Garza Group - I'm A Man
B4. LA Carnival - Blind Man (45 Version)
B5. Revolution - The Siesta Is Over
B6. Black Conspirators - Just Got To Be Free
B7. Black Maffia - I Want To Take You Higher
Available from 22.04.2017
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