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Friday, Sep 19 2014 | 06:30
Image: 1590341 A small cellar in a smart building. A carefully curated collection of analogue synthesisers. A pot of
Brylcreem on a table. ZZ Top and Muddy Waters vinyl sitting in a corner in front of a gleaming guitar
and an old amplifier. Ladies and gentlemen, welcome to Arnaud Rebotini’s lair in Montmartre, Paris.
A hulk of a man, Rebotini may look physically impressive but inside he’s really a big softy who loves
singing the blues and has an almost carnal attachment to his keyboards and vintage drum machines.
His musical career is now divided between two projects: one uses his own name, Arnaud Rebotini,
releasing instrumental electronic albums, both nostalgic and futurist, that he plays live on stage -
alone - surrounded by his favourite machines. The other is Black Strobe, where he sings and plays a
steamy mix of rock and electronic music heavily influenced by blues and country ‘n’ western. The
project comes to life fully on stage with the energy of a four-person group.
In September 2014, Black Strobe will release his second album, Godforsaken Roads. The record
confirms Rebotini’s rock sensibility and debt to the great American tradition of songwriting, with
songs touching on the classic themes of the blues - the randomness of life, the very weight of
existence and the strong emotions that run just below the surface (love, lust, loneliness…). He
plunges into this world of the bayou, prison and the devil with real passion and the voice of crooner
often compared to Iggy Pop or Nick Cave.
Godforsaken Roads contains ten new tracks, including the latest singles Going Back Home and
Broken Phone Blues. The digital edition adds Boogie In Zero Gravity and The Girl From The Bayou
released as singles in 2012. On the album, Rebotini also reappropriates Folsom Prison Blues, a
Johnny Cash classic, once again with the aim of keeping the blues/country ‘n’ western flame alive
(the group’s first album already contained a cover version of Bo Diddley’s famous track I’m A Man).
This new version, entirely synth-led with not a guitar in sight, transports the song to another spacetime
continuum with swathes of keyboard worthy of Tangerine Dream, perfectly resuming the spirit of
Black Strobe in 2014.
However, don’t think that Godforsaken Roads is all retro - in fact it’s bang up to date, using
electronics, sometimes even of a disco slant, to give Black Strobe its futurist dimension. The album
allows Arnaud Rebotini to capture the spirit of America’s cowboy era and transport it to the present
day with resolutely modern production, much like the spirit of the blues that seeps from the music of
electro-pop idols Depeche Mode.
This contemporary western feel, both melancholic and polished, came to the notice of Quentin
Tarantino – who used Black Strobe’s cover version of I’m A Man for the trailer of Django Unchained
– and Dior, who chose the same track to advertise their perfume Eau Sauvage. By creating a link
between the past, present and future, the group’s music has also appealed to Martin Scorsese (the
trailer of The Wolf of Wall Street), Guy Ritchie (the soundtrack to RocknRolla) and the creators of the
videogame Grand Theft Auto V (GTA).
With this new album, layered and feverish, the group is back with renewed faith in the power of the
blues and a passion for motivating beats.

For fans of
Nick Cave , Depeche Mode, LCD Soundsystem, Elvis Presley, Johnny Cash…

TRACKLISTING
CD
1 - Broken Phone Blues
2 - Monkey Glands
3 - He Keeps On Calling Me
4 - Going Back Home
5 - Blues Fight
6 - For Those Who Came on Earth Thru The Devil Asshole
7 - Folsom Prison Blues
8 - Swamp Fever
9 - Dumped Boogie
10 -From The Gutter
11 - Promised Moon
12 - Boogie in zero Gravity

http://www.blackstroberecords.com http://twitter.com/rebotini Available from 03.10.2014
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