Thursday, Feb 23 2012 | 19:58

Shlomi AberRecognized as one of the main techno pioneers and influential artists of the recent time, Shlomi has the kind of impact usually reserved for inbound meteors, the reason for which is buried in a ground swell of genre-defying appreciation and support. A comment taken from a Radio 1 interview provides a probable insight as to why his productions are hitting such a broad mark, “No matter if it’s hard or soft, it just needs to touch your mind, body and soul at the same time. That’s what I call a ‘good record’.”

This personal approach, married with 12 years production experience that takes influence from jazz, funk, minimal, acid and, in particular the old school Detroit techno movement. Aber has created some of the most recognizable and unique techno of modern times. Means he boasts some of the world’s most prestigious labels on his ever-expanding CV: Cocoon, Ovum, R&S and Renaissance to name but a few.

Still feeling he has a lot to fulfill; Shlomi has also launched his own record label. This heralded the birth of Be As One Recordings. The label’s focus is on releasing quality underground music from the wide range between house and techno, with the only constant being that “a track must have the right feeling and stand out in its own way”. With already massive worldwide support from many of the top DJs, features in both magazines and many charts, Be As One Recordings established itself as one of the top leading labels in the underground dance music scene.

Shlomi Aber Top 10 February 2012:

01. Iaell Meyer & Charles Lima – Face Of Brazil (Philipp Carreires Remix) (EON5)
02. Shlomi Aber – In Dancetrippin (Be As One)
03. Exploit – Particle Funk (Monography)
04. Shlomi Aber – Faced U (Be As One)
05. Steve Parker – Escuro (Ovum Recordings)
06. Seiji – Frustratin (Seijimusic)
07. Gel Abril & Andrea Oliva – Scene (Be As One)
08. Silent People – Lovely Insanity (Different 10)
09. Jordan Peak – Pass The Roach (Robsoul Recordings)
10. Mark Jackus & Kloppenburg – Exit The Void (Kapelle)

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